Live Flesh by Pedro Almodovar: Scene Analysis :: essays research papers

Pedro Almodovars 1997 film Live Flesh (Carne Tremula), is rich in both ocular and story elements, making in the perfect candidate for a diorama analysis. Upon writing this paper, however, this was almost to my disadvantage. I watched it through and whittled it down to about louvre word-paintings I considered analyzing. This self-ch each(prenominal)enge is a testament to non whole this film, but Almodovars whole body of work he has created so many thoughtful, intricate, and all together entertaining films in his career, I had to somehow forgive myself for clean choosing one short scene out of only one of his movies for analysis. So, without gain ground ado, here is an analysis of a scene from Live Flesh.The scene I chose to analyze is the one in which David (Javier Bardem) returns home from a basketball game, only to find out his wife, Elena (Francesca Neri) has slept with another man. It occurs at roughly an hour and 17 minutes into the film, and is relatively short, but ext remely powerful.The opening shot to the scene of Elena returning home from her tryst early in the morning. She enters the shower and begins to shade her naked body, seemingly bringing back memories from the previous wickedness. Every clipping she inhales, she lets out an orgasmic sigh, which makes it clear to the audience exactly what she is recalling. With each sigh it seems that she not only had an amazing sexual experience, but that she also doesnt herb of grace it at all. This is until her last deep breathe. After this, she pauses for a beat, and in this moment, a look of full realization about the events of the past night washes everywhere her face. This moment is fleeting, however, because right when she turns the shower on, she closes her eyes, as if she is recalling not only the scents of the night before, but even the sights and sounds.As soon as she stops miserable and cracks a smile, the shot quickly changes to Davids ride pulling up. The cab symbolizes Davids addi ction, in that all he can do is tantalise in the back and tell the driver where to go, showing that his disability has coerce him to become dependent on so many different people. The situation that Davids cab was shown right as Elena began to smile shows that Davids dependence is preventing Elena from truly being happy, which Im sure is a shin in any relationship involving a handicapped person.