This research can focus on any historical topic related to the Essay - 1

This question can focus on any historical topic link up to the course.that is, on any topic covered in class or in your dossie - Essay exerciseThe second section will focus on how thirty-something moving picture, pre-code, portrayed women as having to choose amongst a career and love. Section 3 will look at the role of women in thirty-something film and theorise that some women, notably Norma Shearer, could transcend stereotypes. Finally, I will explore how womens roles in the cinema evolved from the beginning to the end of the Depression, and section 4 will examine criticisms of women in 1930s cinema and Section 5 will be a conclusion. Annotated Bibliography Berry, S. (2000). Screen style Consumer fashion and femininity in 1930s Hollywood. Minneapolis University of Minnesota Press New. This book will be useful in assessing impact of the 1930s films as it details how Greta Garbo, Joan Crawford and Marlene Dietrich influenced women filmgoers as role models of self-determination , and shows why the public is fascinated with these strong-willed women and others. Dawson, J. E. (1995). Hollywoods image of the working woman. Las Vegas University of Nevada. This dissertation will facilitate to explore the roles, which women have taken on the money screen, how women are portrayed, and psychological aspects and influence of films to women. Feuer, J. (1993). The Hollywood musical. Bloomington Indiana University Press. This book will assist in judgement of the origin and evolution of the Hollywood musical, as well as how it has affected society over the years, specially the chapter Dream worlds and dream defends, which details how Hollywood musical provided audience with escapist entertainment from the difficulties of war and notion faced in 1930s. Kolbjornsen, T. K. (1998). Dansingi Hollywood punktnedslagi film-musikalenshistorie, dissertation, Villanova University, Philadelphia, PA. This dissertation explores musical film aesthetically and how spectators are transformed by the experience of watching these Hollywood musicals such as Busby Berkeley shows in the 1930s, and an exploration of leap as an aesthetic sign and discussion on how women are transformed into kinetic ornaments. Lovasz, K. (2007). Technologies of self-presentation Womens engagement with mediate representation from the era of silent film to the Internet age. dissertation, Princeton University, Princeton, NJ. In this dissertation, Lovasz explores identity theory, which explains how women relate to patriarchal culture, by exploring a womans imagined and virtual cultural experiences, including those of film. Davies, C. (1988). New women, new culture The Womens weekly and Hollywood in Australia in the early 1930s. Dissertation Brisbane Griffith University Press. This book is very important in this research as it explores how the new woman, from the period after the censorship policy came into play, came to be and how she affected culture, including how women were portray ed on the silver screen, and it examines how the Hollywood portrayal of women in the 1930s affected women in Australia. Siegel, M. B. (2009). Busby Berkeley and the projected stage, Hudson Review, vol. 62, no. 1, pp. 106114. In this article, Siegel discusses some of the films of Busby Berkeley, a filmmaker of the 1930s who pioneered dance movies, which reveals his projected dance dreams therefore, it will assist in assessing 1930 films. Streb, J. L. (2004). Minna Citron A socio-historical study of an artists feminist neighborly realism in the 1930s. University Park Pennsylvania State University. This dissertation